“‘Only it is so very lonely here!’ Alice said in a melancholy voice; and at the thought of her loneliness two large tears came rolling down her cheeks. ‘Oh, don’t go on like that!’ cried the poor Queen, wringing her hands in despair. ‘Consider what a great girl you are. Consider what a long way you’ve come to-day. Consider what o’clock it is. Consider anything, only don’t cry!’
Alice could not help laughing at this, even in the midst of her tears. ‘Can you keep from crying by considering things?’ she asked.
‘That’s the way it’s done,’ the Queen said with great decision: ‘nobody can do two things at once, you know. Let’s consider your age to begin with—how old are you?’
‘I’m seven and a half exactly.’
‘You needn’t say “exactly,”’ the Queen remarked: ‘I can believe it without that. Now I’ll give you something to believe. I’m just one hundred and one, five months and a day.’
‘I can’t believe that!’ said Alice.
‘Can’t you?’ the Queen said in a pitying tone. ‘Try again: draw a long breath and shut your eyes.’
Alice laughed. ‘There’s no use trying,’ she said: ‘one can’t believe impossible things.’
‘I daresay you haven’t had much practice,’ said the Queen. ‘When I was your age, I always did it for half-an-hour a day. Why, sometimes I’ve believed as many as six impossible things before breakfast.”” – from Through the Looking Glass by Lewis Carrol
“Nothing could be worse than a return to normality. Historically, pandemics have forced humans to break with the past and imagine their world anew. This one is no different. It is a portal, a gateway between one world and the next.” – Arundhati Roy: ‘The pandemic is a portal’ –
“One Hundred and Eighty Degrees” – Federico Moramarco
Have you considered the possibility
that everything you believe is wrong,
not merely off a bit, but totally wrong,
nothing like things as they really are?
If you’ve done this, you know how durably fragile
those phantoms we hold in our heads are,
those wisps of thought that people die and kill for,
betray lovers for, give up lifelong friendships for.
If you’ve not done this, you probably don’t understand this poem,
or think it’s not even a poem, but a bit of opaque nonsense,
occupying too much of your day’s time,
so you probably should stop reading it here, now.
But if you’ve arrived at this line,
maybe, just maybe, you’re open to that possibility,
the possibility of being absolutely completely wrong,
about everything that matters.
How different the world seems then:
everyone who was your enemy is your friend,
everything you hated, you now love,
and everything you love slips through your fingers like sand.